Capitalizing on the Beetlejuicemania brought on by the September movie sequel, the stage musical version of "Beetlejuice" hits at just the right time, dripping in 1980s nostalgia with a fresh coat of black and white-striped paint to give the boisterous Tim Burton vision a fresh touch.
The show brims with spectacular effects, from a monolithic Sandworm puppet to clever use of projections in transitions, paired with masterful stagecraft that recreates the look and feel of the 1988 film, which inspired the musical ran on Broadway from 2019 to 2023 and spawned a national tour that began in 2022.
Eddie Perfect's music and lyrics sparkle with wit and subversive humor, bolstering the book by Scott Brown and Anthony King. But no matter how intricate the visuals, stagecraft and script, the musical wouldn't have a ghost of a chance if not for a commanding lead.
"Beetlejuice" has that and a half in the indomitable Justin Collette. The Broadway veteran and YouTube voice of the viral sensation "Bite on Mondo," Collette thrives in a whirlwind performance that would make Michael Keaton gasp in awe. Part Deadpool, part Bugs Bunny with a side of Robin Williams, Collette's crackling delivery, fourth wall-shattering stage presence and monstrous magnetism commands the stage so much that it feels like a letdown whenever there's a number that doesn't involve him. Sure, the guy needs to rest, but he's sorely missed with the meandering plot puffs up filler material to pad out the runtime.
Other standouts include Madison Mosley as drenched-in-ennui Lydia, the goth teen protagonist, Megan McGinnis as the stifled domestic goddess ghost, Barbara, and the electric Sarah Litzsinger as Lydia's would-be stepmom, Delia. A voracious actor who underlines her jokes with full-body expression, Litzsinger swipes most of the scenes not claimed by the green-haired trickster demon.
I found myself chuckling throughout, and sometimes laughing embarrassingly hard at the onstage antics. The non-Beetlejuice high point is undoubtedly the business dinner interrupted by a spiritual possession that results in an impromptu rendition of the iconic "Banana Boat" (Day-O) conga line.
With its light touch and silly tone, "Beetlejuice" proudly wears its B-production pedigree on its tattered sleeve. All energies are channeled forcefully toward helping the audience have a giddily good time, and that task is accomplished masterfully. That's something that's worth saying twice, or maybe even three times.
"Beetlejuice" plays through Dec. 8 at Centennial Hall. Buy tickets here.